Layer By Layer.

Over at the SHOWstudio shop you can pick up all sorts of ephemera crafted in the quest for fashion shoot perfection. There are set pieces from shoots that appeared in W, Vogue, The New Yorker, etc. Hand-made by set designers and prop stylist like the extremely talented Shona Heath and Simon Costin, items include giant fiberglass cherries, furry rabbit ears that sat atop Alber Elbaz's head, and a giant, furry poodle puppet. But, if you want an item that was there for it all, for every shoot, offering necessary support and guidance and important stability for all the creative types, including the models, you need only purchase one thing: The floor!

Yep, you can by a block of the photography studio floor signed by photographer Nick Knight. It is a relic composed of layer after layer after layer of paint rolled on to the floor to provide a fresh white coat for the next morning's shoot. It's like a supremely stylish onion of sorts. It's mind-boggling how something as thin as a layer of paint can add up to inches of thickness over time.

The blocks on offer may be just wide enough for you to stick on a pair of stilettos and play Kate Moss in front of the mirror. Maybe.